(Sydney Town Hall)
Thank you and good evening, everyone.
I would like to acknowledge the Gadigal people of the Eora nation, the traditional custodians of this land, and I pay my respects to the Elders, both past and present.
And I welcome tonight's guest speakersâ€”the Sydney Theatre Company's artistic directors, Cate Blanchett and Andrew Upton. They'll be telling us about greening their historic building at Walsh Bay and about their vision for a creative and sustainable precinct.
Creativity is one of our city's great strengths, which we must support and nurture into the future.
Fostering "a cultural and creative City" is one of the ten goals of Sustainable Sydney 2030, following extensive research and talks with City communities.
We want to build on Sydney's cultural strengths, and support new and emerging creative sectors.
The fundamental principle of 2030 is action on global warming.
We have set ourselves the goal of reducing greenhouse gas emissions across the entire City by 70 per cent by 2030. That's what the best available evidence told us is needed to play our part in averting damaging climate change.
It's ambitious - but it can be done if we all work together to rethink the way we live and work.
We don't expect to easily achieve the target. In fact our 'waterfall chart"â€”where we plotted expected results from each carbon reduction programâ€”points to a deficit that needs to be filled by future innovation.
In this challenging era of climate change, the creative impulse is our greatest ally.
As we map the dimensions of the problems confronting us, creative minds will suggest solutions, imagine new ways of doing things and offer alternatives.
Creativity can help us achieve a thriving and sustainable future and it is no surprise that our creative communities are among some of the first and most innovative in exploring and finding new green solutions.
Artists have long explored environmental themes, from the reuse of materials in new forms to cutting edge sculpture exploring renewable energy in response to global warming.
Allan Giddy's 'Earth v Sky', commissioned by the City, will light waterfront fig trees at the end of Glebe Point Road in colours responding to the sky at sunset. Integral to this work is a domestic-scale wind turbine that will power the lights and help provoke wider public understanding.
Last June, I welcomed to Sydney, Justine Simons, Cultural Strategy Manager for the Greater London Authority. Justine headed London's Creative Industries environmental program, bringing together theatre, film, music and visual artists to work on their industry's sustainability.
In one practical example Justine gave, London's theatres were throwing away around 600,000 used batteries each year. Most were batteries for radio mikes, replaced after every performance. Now those batteries are collected and recycled.
That's not to suggest our own creative industries are not taking action and innovatingâ€”and tonight we will hear about the Sydney Theatre Company's work.
At the Museum of Contemporary Art, the new wing under construction will incorporate sustainable design, including a seawater heat exchange with a fully integrated air-conditioning system.
The Opera House, the Australian National Maritime Museum and the Botanic Gardens all have strategies to reduce water and energy consumption and to encourage recycling.
Metro Screen and Screen NSW have Green Screen policies to reduce environmental impacts while an organisation known as GRASS, or Getting Real About Sustainable Screens - is a national initiative of the Australian Directors' Guild to help reduce the carbon footprints of industry productions.
Some argue that Sydney has under-appreciated its creative sector and that there is more we can do to promote our cultural life. But it's also true that there is a flourishing creativity here that daily enriches our city life.
If you take the broad definition of "creative industries", it includes the arts,